When dealing with historical texts, a translator's job shifts from being just a linguist to becoming a custodian of the archives. This was the exact responsibility I felt when undertaking the English to Sinhala translation of A.C. Depp’s Ceylon Police and Sinhala Muslim Riots of 1915 for the Department of Police.

Translating Gender and Post-Tsunami Recovery (authored by Chamila Attanapola, Cathrine Brun, and Ragnhild Lund) was a profound exercise in understanding how deeply unequal the aftermath of a catastrophe can be. Co-translating this text alongside Sepala Wijesekara for the Social Scientists' Association brought a very specific, crucial academic lens to the 2004 tragedy.

History is often written by the victors, but it is also overwhelmingly written by, and about, men. When we look back at the decades of conflict in Sri Lanka, the dominant narratives are almost entirely military and male-centric. But there is another narrative—one of profound courage and resistance—that often gets buried.

Translating the aftermath of a national tragedy means handling grief, resilience, and survival rather than just academic terms - a profound weight carried during the Sinhala co-translation of After the Waves - The Impact of Tsunami on Women in Sri Lanka with Sepala Wijesekara, where maintaining rigorous sociological analysis had to be carefully balanced with honoring the deeply vulnerable narratives of Sri Lankan women whose gender-specific struggles during disaster recovery are too often overlooked.